Design Surreal Composition Fallen Angel’s Dream Fly
First thing you need to remember that every photo or digital artwork must have 1 point that catches the viewer’s attention. It can be (and mostly is) face or the eyes, but it can also be any other spot, that is the leitmotif of the canvas. When having too many points that catch the visitor’s attention, your artwork loses it’s charm and simply may lack the zest it would otherwise have with less accents on the canvas. So first thing you need to remember that in art, mostly, less is more. Second thing to bear in mind is the depth of field. When you concentrate your look on a certain point, the rest becomes a little blurred in your vision, especially if the rest of the objects lay far behind. This is what we call — depth of field. In other words, human face cannot be just as sharp on the picture, as the background house that appears to be a few miles behind the figure. Although this isn’t always true and we have different variations of art (and sometimes the unusual is the best looking surreal concept!) but I am giving this little info so you will understand WHY we blur certain points and why we play with light the way we do, in this Photoshop Tutorial.
We were working on a rather big canvas, we started with 1024px × 764px new layer as these were the dimensions of our base image. However you may feel more comfortable working with smaller or bigger images.
Take the image with fence and sand and paste it unto your Canvas:
Using the Rectangular Marquee Tool, crop out and delete the sky and water upper half of the layer:
Don’t worry about the rough unnatural layer, we will work this out a bit later.
The next step is take the image with sky (from our ingredients list), and paste it on top of the previous layer with sand. Using Eraser Tool with a small soft brush, remove the lower part so that you will have an image consisting from sky and sand, just as you see below:
The way our image looks now, it’s very far yet from been an organically blended scene, so let’s start blending the layers into one another.
To make the sand less cheery, the easiest way is to simply match colors with the clouds, so this is exactly what we are going to do. While the sand layer is selected, go to Image >> Adjustments >> Match Color and apply the following settings:
if you have already unselected, select the layer with sand again, and go to Curves. Using the RGB channel, darken the image by dragging the curve down somewhere in the middle. We used Output: 113 and Input:143.