There are a few ways to make money online with Photoshop, but it is only with tutorials that I have noticed that the money is almost guaranteed. In the following article, I will explain how I generate quite a lot of money every month by creating Photoshop tutorials. Of course I make it just because I love photoshop and want to share my knowledge, but it can be a potential passive income channel if you are a webmaster.

The greatest thing about this method is that the income is recurring and will slow down but won’t stop for many months after you put in the work and effort. People will keep linking to you, recommending your website to others and more and more databases will pull your tutorial back to the surface once they notice it. You can just relax, sit back and see the income flowing in. Here is a step-by-step overview of the process.

1. Buy a domain name.
Whatever it is, just be sure to work the term “tutorials” into the domain name and avoid the term “Photoshop” to make sure you won’t run into any copyright issues later and have your domain taken away from you. Many hosts give a free domain with each annual sign u: Dreamhost.com,  HostGator.com and others.. Just check the web for good deals, or any of the hosting comparison websites to make sure you won’t pay much, at least not at first.

2. Create a website to showcase your tutorials.
One of the easiest methods is to download WordPress and set it up with a nice template for showing the new tutorials you create.

3. Create a few tutorials for Photoshop. (doh..)
The tutorial does not have to be super fancy; however, the better and more sophisticated the tutorial, the more traffic you will get. Be sure to also include screen captures to help explain the tutorials for every step. You can see some examples of my tutorials, and traffic they generate, good tutorials receive over 10,000 hits in half a year, and this is just ONE tutorial submitted to ONE tutorials database site!

4. Add Adverts.

This is the most important step, be sure you didn’t skip it. Add your Adsense code inside the body of your tutorial or at the end.
If you are not an Adsense member, then sign up and become one, because this technique works best with Adsense. You can also try this with Affiliates (on PSwish.com I am promoting Lunar Pages — they give a lot of bonuses so it’s easy to make people sign up as well as Text Link Ads, you register free and sell ads, very easy to refer people since they don’t need to pay!), although I have noticed that overall, I have made more income from Adsense than from direct sales so far on this blog. Another alternative would be so sign up to a banner sales website that measures hits, such as BuySellAds.com, which I recently discovered to be very profitable, and having a massive flow of hits can bring you a few good sales.

5. Upload and submit your tutorial.
After creating your tutorial, upload it in WordPress to your website. Get the URL for the tutorial and then submit it to the tutorial submission websites. You can find a fantastic post by toptut.com with a few dozens of high traffic Photoshop Tutorials websites.

After you have done the above 5 steps, just wait for your tutorials to get accepted by the tutorial submission sites. Once they get accepted, your tutorial URL will be featured on their sites as a direct link. You will then begin to get clicks on the Adsense ads. Even with a click-through-rate of about 1% you will still see the revenue flowing in. You may even be shocked to see how much traffic these tutorial submission sites will generate for you!

Good luck!

Most people don’t use Photoshop to its fullest capabilities. Here are just ten uses to which you could put this highly versatile software. Even a simple domestic use of Photoshop in your leisure time can do wonders, and let’s see how..

1. Restoring Old Photographs. Have a look through that old family photo album – the really old one from up in Grandma’s attic. Inside there are probably a few photos from way back when that haven’t stood the test of time so well. They’ve got cracks and tears that really spoil their appearance. Scan them into Photoshop, and then set to work with the Clone Stamp, Healing Brush, and Patch tools. The Healing Brush in particular is a great tool for this purpose as it samples data from one part of the picture and blends it in with what’s already there.

2. Correcting Mistakes. We’ve all done it: Had an attack of “finger over the lens syndrome,” or got too close with the flash, so our subjects suffer from “red eye” and look like extras from a horror movie. Use the crop tool to salvage something usable from your obscured photo, and the enlarge wizard to blow it up to a reasonable size. For “red eye” and “pet eye,” use the eyedropper tool to sample color from around the iris, and a brush to paint away the red.  See also my “Pure Glamor” tutorial.

3. Adding Graphics to Videos. It’s a little known fact, but many domestic and professional nonlinear editing systems (especially the Mac based ones like Avid or Final Cut) enable you to import Photoshop .psd files directly into the timeline.

4. Creating Text Effects for Print and Web. There’s an almost unlimited amount of things you can do with text in Photoshop. Use the Type Mask Tools to create picture filled text, then upload the results to your web page – or print them out for a one of a kind T-shirt.

5. Turning a Photo Into a Work of Art. Everyone likes to have nice things to look at. Most of us like to have pictures on the wall, and something that looks different from what other people have on their walls is a definite plus. Unless you’re blessed with artistic talent, though, this can be very expensive – until now. Use one of Photoshop’s many Artistic or Brush Stroke filters to turn your photos into “new masters,” then print them out on quality art paper. You can see some of my fantasy art tutorials for further reference: “Sleeping Sun“, “Renaissance Canvas“, “Glowing Monsters eyes“, “Mysterious Moonlit“.

6. Designing Web Banners and Buttons. Photoshop comes with a predefined web banner sized canvas. Photoshop’s sister application, Image Ready, comes with several – and lots of tools for animating text and pictures. You can also create interactive buttons that enhance a web browsing experience.

7. Adding Text to Photographs. Impress your boss by putting the company name on the side of an airliner, building, or racing car. Use the Move Tool to skew the text to fit the contours of the picture, adjust the opacity a little, and hey presto! The text will look like it’s always been part of the photo.

8. Combining Pictures, Text, and Graphics to Make Covers for Books, Reports and CDs. Photoshop contains many of the image manipulation capabilities of high-end DTP applications that cost thousands. Use the “Layer via Cut” command to make your title text go behind part of the picture – just like on the cover of “Rolling Stone.”

9. Designing Web Pages. Did you know that Photoshop and Image Ready can turn your photograph or artwork into a web page? Use the slice tool to cut your work into easily downloadable pieces, then the rollover function to embed website URLs.

10. Combining Pictures to Make the Impossible Possible. Come on! You didn’t seriously think that Michael Moore and President George W. Bush really stood hand in hand on the White House lawn for the Fahrenheit 9/11 poster, did you? I don’t know for certain that they used Photoshop to fake that picture, but they certainly could have done. With Photoshop you can remove the background from one picture, take some elements from another, and combine them with the background from a third to create a picture that could never have been taken for real. Who says the camera can’t lie!

Author: Shaun Pearce

The Photoshop program is the leading product of the Adobe Systems Incorporated. Adobe specializes in digital imaging software. In its recent incarnations, the Photoshop application has been merged with other Adobe programs under the Creative Suite enterprise. The most recent version of the Adobe Photoshop is CS3, meaning that it is the third version of Photoshop since it was included in the Creative Suite umbrella of software.

Like most digital imaging applications, Photoshop has several plug-ins/add-ons or additional tools that can be used in creating and editing digital images. Aside from the standard cut, paste, select, draw and color fill tools; additional options and effects can be loaded as well. Once the add-ons and plug-ins are added, they can be used to enhance the creations that can be made using the programs.

Several software programmers and designers have also taken the time and effort to build on the existing Photoshop program to enhance its capabilities. These downloadable plug-ins and add-ons are often available for free from a number of online sources. What’s important is to make sure the program being downloaded as a Photoshop add-on is compatible with the Photoshop program version you already have installed as well as the safety and security of the file.

Most Photoshop add-ons focus on certain functionalities such as layer styles, actions, scripts, brushes, patterns, gradients, frames, textures and displacement maps. These are made to add to Photoshop’s existing library of tools.

One example of a widely available Photoshop download is Harry’s Filters which is a free downloadable add-in that was created by Harald Heim. The latest released version of the application is version 3.01. What the application does is it allows users to create effects for images by using its own menu box separately from Photoshop. The program has 69 filters available and ready for use once it is downloaded to accompany the Adobe Photoshop. The Harry’s Filters program can then be used to create several image effects, particularly some very realistic ones.

Another useful tool to add to Photoshop would be one that removes the red-eye effect in pictures. The red-eye effect happens when light is reflected by a subject’s eye as a photo is being taken. It is one of the most common things that happen when you are taking a picture of a person in the relative darkness.

The program to remove the red-eye effect is called RedEye Pro developed by Andromeda Software. The plug-in removes the redness of the eyes while retaining the original eye color and the shiny and reflective surface of a typical eye. It does the adjustment without making it look as if the eye has been retouched. The RedEye Pro application also works on eyes that are not perfectly circular such as animal eyes. It is available for free download from selected sources.

Do you oftentimes feel confused what to use for your web images– GIFs or JPEGs? And more importantly why? Great. You deserve kudos as confusion leads to comprehension. Here is what you have been looking for all the way! Essentially, they are formats in which web images are created in. Any file with a .jpeg or .gif extension is recognized, by a browser, as an image file. A good web site is partly one that will load quickly into a browser. Agreed? Well, for this to happen, your web page has to be small in file size. The GIF and JPEG file formats compresses images so that it is web worthy.

This is vital for you that you don’t mess around when it comes to decide what to use when. Here’s what you need to know (a subtle reminder and congrats for tech guys who know it)

GIF ( Graphics Interchange Format)

JPEG ( Joint Photographic Experts Group)

• JPEG uses a lossy compression schem. This means that you will, in fact, lose some data during compression. The more you compress, the more quality you lose. You will, therefore, have to strike a right balance between image file size and quality.
• JPEG compression rate can well be controlled . The higher the compression rate, the lower the size of the image. And as you have guessed, eh? The lower the quality.
• JPEG is optimally used for photographic images . The more colors and subtle gradients an image has, the better.
• Browsers take a longer time to display JPEGs.

Demarcating features of JPEG and GIF

One of the worst mistakes (hopefully you won’t make any longer) a web designer can make is to opt the wrong format for a particular type of image. As a thumb rule, for images with few flat colors, choose GIF. Images with lots of colors and gradients, you may go for JPEG.

Simple enough. Here is your turn to appreciate a couple of somewhat tricky tech understanding with regard to JPEG and JIFF’s. Pertaining to JPEG, if the horizontal rows of pixels undergo change frequently without patterns, then a JPEG may allow for a smaller file even if it is having few colors only. For designers if they can save a few kilobytes on each image, it can drastically improve the loading time of image-loaded pages intended for users with slow connections.

Further, though you can have animated GIFs, this is rarely a good idea in terms of design.

There are a few things you can do with GIFs that you can’t do with JPGs. The best way to get the smartest web images and graphics is up to you: technology is at your disposal only to be selectively used for spectacular results. So get going to harness tech understanding! People who work with a Web Design and Development always know these little tricks, now you do also.

When followed, this guide will prove to be quite a valuable web design resource. From the inexperienced to the experienced, this guide has something for everyone.

The Process of Great Web Design Just to make sure we are all on the same page, lets begin with the basic definition for “web design”. According to Wikipedia, web design is:

“a process of conceptualization, planning, modeling, and execution of electronic media delivery via Internet in the form of Markup language suitable for interpretation by Web browser and display as Graphical user interface” .

The process of web design can be compared to the process of writing a research paper. In the conceptualization/planning stage, flowcharts (the outline) are created which illustrate the navigational structure of your website. In the modeling stage, static wireframes are created (the rough draft) which illustrate the skeletal layout for each section of your website. After the wire frames are created, graphics, colors and text are used to create the design of your web pages based on the layout of the wire frames. In the execution stage, your design is converted into a format supported by web browsers, text and content are added, and finally, your website is published live to the Internet for the world to see (final draft).

All three stages of the design process are equally important. Many web designers skip a stage in order to save time or because they don’t think that is is necessary. However, all three stages are necessary if your goal is to create a successful design and respectable website. Even if the three stages are used, there are many mistakes that web designers can make that will lead to poor-quality, non user-friendly websites.
It’s time to clean out the cabinet of bad web design practices and restock it with the good ones.

Stage 1: Conceptualization and planning
This stage is skipped more often than the other two stages. Most writers don’t enjoy creating outlines for research papers, and most web designers don’t like creating flowcharts either. Don’t be lazy. If you put forth the effort and plan out your website, then you will find the web design process to go smoothly with fewer mistakes made along the way.

There are a few things that you will need in order to effectively conceptualize and plan your website:

-a brain
-a pen and paper
-(optional) flowchart software
-a general idea of the different sections of your website

To begin, grab your pen and paper or launch your favorite flowchart software. We use OmniGraffle Professiona for Mac OS X which costs $150 per license but is well worth it if you create websites on a regular basis. If you’re on a PC, then SmartDraw is a great FREE piece of flowchart software that you can use. A pen and paper work just fine, though.

There are many methods to creating flowcharts. We are going to show you the most basic way to do it for the sake of time and the length of this article. If you want to learn more about flowcharts search for flowcharts on Google or Yahoo.

View the flowchart that we created when conceptualizing Chromatic Sites. (1) At the top of the flowchart we list the name of our website. (2) Next, we include each primary section of our website: Home, About, and Services. These sections are the main navigation for your website. What the names of each section will be is entirely dependent on the content of your website. Try to use as few sections as possible so that your visitors are not overwhelmed when navigating through your website.

(3) Next, add all of the secondary pages (subsections) that will be listed on each of the primary pages. For Home, we have included Professional Web Design, Web Development, and Search Engine Optimization. The secondary navigation needs to be more descriptive than the primary navigation. The deeper your websites’ navigational hierarchy goes, the more descriptive each label should be.

The Dos
-Less is more; keep the number of primary sections to a minimum. We use 6 sections on our website which is more than enough -Whether you use a pen and paper or flowchart software, keep things as clean and organized as possible. Although you (and anyone working with you) are the only ones that will be using the flowchart, it still needs to make sense -Your primary sections should use broader terms, while secondary and tertiary terms should be more descriptive

The Donts
Creating a flowchart is pretty straight forward; however, there are a few mistakes that can easily be made:

-Don’t use very descriptive terms in your primary navigation unless your entire website focuses on one narrow topic -Don’t try and lump multiple topics on the same page. Create a general section for these topics and from that section create subsections. This will make the subsection (descriptive) web pages more likely to have better rankings in the search engines (Google, Yahoo, MSN, Ask) Once you have created a concise and descriptive flowchart, you’re ready to move on to the second stage of the web design process:
modeling.

Stage 2: Modeling
In the modeling stage, static “wireframe” mock ups are created. Each mockup illustrates a bare-bones skeleton of the layout for each of the web pages that will be included in your website. This stage is important because it gives us an idea of where different elements will be placed in our design. Some of these elements are:

-logo
-navigational menu
-content
-images, videos

To create these mockups, you can use a pen and paper or your preferred mockup software. In the past we have used Photoshop, but lately we have been using OmniGraffle Professional. OmniGraffle is not as resource intensive as Photoshop is and it allows us to assemble our wireframe mockups much quicker.

In addition, make sure that you have the flowchart(s) that you created nearby as you will need to reference these from time to time to make sure that you are mocking up all of the pages that will appear on your website.

Adobe Systems Incorporated is engaged in building applications useful for photography, Web applications, designing etc. Adobe Photoshop cs3 (creative suite3) is the latest version of applications launched by Adobe systems on March 17, 2007. This is a highly professional application most suitable for photographers, designers and web site developers. Adobe Photoshop Creative Suite was initially introduced in 2003. The first two versions were named CS and CS2 which were available in two editions namely Standard and Premium. Adobe Photoshop cs3 is a widely updated version with so many additional features. Adobe has decided to market it under six different editions. With its new and powerful editing tools and smart filters it gives enough reasons for a user to upgrade to Adobe Photoshop cs3. The upgraded features offer more flexibility and faster work flow.

Editions and their applications

• Adobe Creative Suite 3 Design Premium has a toolkit which is most useful for designing for web, printing, mobile design etc.
• Adobe Creative Suite 3 Design standard mainly lays focus on professional print design.
• Adobe Creative Suite 3 Web Standard helps website developers with its advanced tools and features.
• Adobe Creative Suite 3 Web Premium is featured with the most advanced and latest web development tools.
• Adobe Creative Suite 3 Production Premium is most helpful to Professionals in Video photography for editing purposes.
• Adobe Creative Suite 3 Master Collection is a comprehensive package for all designing needs for print, web, mobile, video, film etc.

Features

Smart Editing toolset: Adjusting color of pictures, editing the images, blur and sharpen them are some smart features which makes Adobe Photoshop cs3 the most suitable application for professionals related to photography and designing.

Drawing and painting tools: Wide varieties of drawing tools, artistic brushes and paint settings allows user of Adobe Photoshop cs3 to create and modify better quality images.

Selection and edge refining tools: Selecting and refining portions of an image with the click of a button is made easy with these tools.

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Compositing features: There are more advanced layer aligning and compositing features in Adobe Photoshop cs3.

Better Printing quality: With more updated color management features, a bigger print preview window, more print control options – printing experience in Adobe Photoshop cs3 is much better than before.

Compatible with more file formats: JPEG, JPEG2000, OpenEXR,Cineon, PSD, BMP, TIFF etc. are all supported by Adobe Photoshop cs3.

User Community

Designers, Developers and Educators form the most vital portion of the user community of Adobe Photoshop cs3 application. In designing it has a solution for every industry be it manufacturing or services. Web designing, print designing etc. has got a certain facelift with the help of Adobe Photoshop cs3. Photography Industry is one which is largely benefited with its applications. What would have been a photographers unachieved dreams are all being turned into reality with the tools and applications available in the software package. Video Editing and Digital imaging have reached highest standards all with the help of none other but Adobe Photoshop cs3. Education, teaching and learning has got an edge with the help of advanced curriculum and digital experiences.

Before you find more information on photoshop cs3 tutorial, get the CS3 because overall, Adobe Photoshop Creative Suite3 is a designers dream come true.

Dramatic Effect with False HDR – Photoshop Action

One thing I discovered during my experience with digital photography, is that digital photography is very well suited for the portrait photographer. So why are we the last to jump on the band wagon? Many commercial shooters have known about and mastered the use of digital in their business’s for far longer than the portrait photographer.

My guess is that we’re afraid. Afraid of the learning curve and afraid that the quality just isn’t there unless we spend an ungodly amount of our hard earned cash on some scary looking gigantic array of confusing and awkward, let alone “how am I going to learn how to use this stuff” equipment.

Truth is, you can easily get away with as little as a 3.5 megapixel camera. I know, I used my Canon D30 for the first eight months of my digital journey. That camera created more memories, more sales and more wall portraits that I ever thought imaginable.

Whoa, wait a minute you say, wall hangings? Can’t be!! When I put on my seminars I routinely display many large wall samples for all to see, with some of the older samples I created with the 3.5 megapixel camera; and the reaction I get is usually disbelief. The quality is there. I’ve proven it over and over and I know anyone can replicate the same results. Yes, even with a 3.5 megapixel camera.

You’ve just got be careful, that’s all. We have a collection of images at our studio, even large wall hangings captured with our dinky little D30, and they are “jaw-dropping” stunning. I know other photographers who have had amazing results as well. I know that it works and file size is secondary.

There are many reasons, but I’ll work with the main list. Here they are:

Quality.

The quality of images captured with a high quality lens, properly exposed and well posed is more than enough, even if you shoot JPEGS. Yes, JPEGS. Over 90% of the more than 30-40,000 exposures I put through my camera every year is shot in JPEG mode. Why? Why would anyone in their right mind shoot in such a “low quality” mode? The answer is simple: It works.

I like to compare JPEG’s to shooting with portrait film. It is slightly softer (although not even noticeable to the human eye) and muted, ideal for skin tones, right? Besides, we slap on “softar” filters in front of these outrageously expensive lenses and degrade the image even more. Don’t bother. Shoot with a good lens, in JPEG mode, expose properly, pose and create as usual, and it will all come together. Add any effects later. Look at what else portrait photographers have been doing to their finished images besides purposely degrading the image with “softars”. We retouch the surface of the print, sometimes extensively. We canvas mount. Add texture sprays.Oils. Linen laminates…on and on. My point is simple. Portrait photographers do not need to create the very sharpest, highest resolution images available. If they have in the past, they’ve always degraded the image through these other means. It’s kind of ironic don’t you think? You can still shoot in RAW mode if you wish, but it isn’t really needed.

If we needed the absolute highest quality image at capture we would have all been shooting with Kodachrome 64 or Velvia on a 4?x5 camera. But we don’t. JPEGs work. I have many 30? prints, and even a 70? print, that was captured in JPEG. And they look amazing. Your can too.

Control.

People want their photos fast. We live in a drive-through world and minutes count. In our studio we create a slide presentation for our sessions and we show them to the clients within 20 minutes of every shoot. Clients love it. They get to see the results instantly. If you fight this you’re fighting basic human nature. We want, want, want, and want to see it sooner than later. Sales go up, the client is already in the studio ready to see the images, and ready to spend. Their is ample evidence that when you show the images sooner, and you create large projected images, which is a cinch with digital, sales go up. Digital gives the portrait photographer more control over the sales process, and ultimately it means more profits. For instance, this photo was taken by digital camera :

Retouching.

Let’s face it, people want to look good. What used to take hours and whole lot of aggravation with spray booths, smelly and dangerous lacquers, is now possible with absolute ease. Even when I decided to farm out all my retouching because I had had enough, it still took weeks or months, and huge retouching bills.

Not to mention the loss of control I had over the retouching aspects. It was up to the subjective interpretation of the retouching artist to enhance the images the way I wanted them retouched. Now, with a few basic skills, and all those years of retouching experience all transferred over to the new darkroom, my computer, I can easily retouch to any degree I like. In mere minutes. With absolute astounding results. This ultimately translates to satisfying a basic need that needs to satisfied in our clients, their vanity. They want to look good, and they want it fast.

Innovation. I could go on for days when it comes to what new products, ideas, services, sales processes, packages, etc, etc…I have been able to create because of digital photography. Suffice it to say for now that I am excited and alive again with passion about my photography and about the possibilities. When you apply the power of digital, and get a handle on it in your workflow, you can create new and exciting products like never before.

I’ve seen it and experience it every week in our busy little small-city studio. The proof ultimately boils down to net profits, doesn’t it?

After all, we are in business first, and creative artists second, right? Right? Are you with me on this one? We are in business to make money and survive. We need new and exciting angles, ways to stay afloat, so we can pay our bills, keep the bankers happy and provide for our families. No one can predict will total accuracy how digital photography will ultimately evolve, but my betting dollar is with it all the way. I’m not taking any chances.

Anyone remember when colour film and paper was introduced as a mainstream commodity? I don’t, I was just a wee lad, but I heard stories about the many studio owners closing their doors and packing it in because they didn’t want to keep up with the demand and latest craze that colour film and colour paper had created. Dinosaurs. Every last one of them. Their loss, all because of a thick head and mis-guided egos. Don’t be a dinosaur.

My biggest discovery: Who the true expert is!

Ultimately the true expert in our business is not ourselves, or our peers. The real expert is the client. They open up their hearts and wallets and fork over hard earned cash for the memories we create for them. Do they care if it is shot on a JPEG? In RAW mode? Do they care if we use the biggest, best, strongest, fastest computers and software? Of course not. When you get into your clients head and listen to the conversation that goes on these things are totally irrelevant.

Far more important to her, and to us, is the fundamentals of good photography. In a whirlwind of technological advances nothing seems to ever stay the same. Truth is, the fundamentals of good photography will never change. That’s where is all starts. Master that and you have 99% of your digital photography challenges mastered.

If you use Photoshop then you must be aware of its fine printing capabilities. People create images with Photoshop mostly for web design or printing purposes. Let’s discuss how you can print an image through the Photoshop interface the right way.

When printing through Photoshop there’s one thing you need to be aware of, the dots per inch (dpi). This refers to how many dots per inch of paper, your printer can print. If you want a clearer image then you want more dots per inch. The more dots a printer can print in an inch of paper the better the quality. Printers are clarified according to the dots per inch they print. A printer which prints more dots per inch is generally better and more expensive.

The most commonly used dpi value for image printing is 300 dpi. Meaning that the printer will print 300 dots per inch of paper. That is, if your printer can actually print in that resolution which is very likely, unless you own a really old printer.

You can set the dpi of an image through the Photoshop menu:

Image ? Image Size..? Resolution

In the Resolution input box enter the value you want for your image. Your version of Photoshop might not mention dots per inch but pixels per inch, which is the same thing.

Now let’s talk about the quality of ink for your image. This depends on your printer type. Inkjet printers for example can be cheap and they use jets of ink that they spray on paper. Ink quality is medium. Dye printers are more expensive than Inkjet printers and use a system to melt dots of dye that can generate over 16 million of colors. Ink quality is medium to high. Laser printers are very popular these days and they print in good quality. Ink quality is high. Last but not least there are the Thermal Wax printers that use blocks of wax that melt on the paper.

Now let’s say you want to print an image through Photoshop. Before doing anything else go to:

File ? Print with Preview

A dialog opens. Through that dialog you can set all kinds of properties for your image. For example you can define the position of the image on the piece of paper. You can specify the space you want to be left blank from top or bottom or you can let Photoshop center the image by ticking the “Center Image” check box.

Then you can define the scale of the image, it’s height and width. I use the “Scale to Fit Media” check box a lot, since it lets Photoshop automatically adjust the printable size of the image.

Depending on your image you might want to print on portrait or landscape. You can change that through the “Page Setup…” button on the right of the dialog. A new dialog will appear that also allows you to choose the type and the size of paper you will use for printing.

Well, that’s about it. All you have to do now is click the “Print…” button. Depending on your printer, a dialog will appear that will let you customize printer properties. For example you might want to print three copies of the image or tell the printer to use more or less ink. It’s really easy to print images through Photoshop. I use this software all the time mostly for the “Scale to Fit Media” check box I mentioned above.

If you are eager for more Photoshop and would like to master it, go grab this Photoshop Video Learning System that will show you step by step how to use Photoshop like a pro. The authors of the system claim that they can teach you everything about this popular software in two hours only! There’s also a free report that explains how their learning system works. Check it out.